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Breathing Room
takes top prize 2006 Chicago Indiefest! | ![]() |
The Vision Award epitomizes
our slogan "Vision Without Compromise". "Breathing Room was the film that our judges felt didn't compromise or commercialize itself in any way. It's a great film ..." |
| "Being a film and stage producer and not by craft
a composer, leaves one wanting for just the talent that Peter Girard brings to the task of scoring. He hears the heart in the description of what a scene requires and knows how to coax this expression from his medium...music. We've worked on stage and film projects. Working with Peter is fluid and at last magical, which is what all artists wait on." Jerry Meadors Screenwriter Producer, Film and Theater |
"When scoring a film, Peter
listens to what I ask for, what the story seems to need, and to the spaces between all that. As a result, the film comes alive in an extraordinary way. It breathes with a musical voice that supports every nuance." Dorothy Fadiman OSCAR-nominated, EMMY winning Independent Filmmaker |
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LA WEEKLY THEATER CRITCS nominate Peter Girard for BEST ORIGINAL MUSIC,1997 |
"An excellent update of Euripides The Bacchae, directed by Bradford Mays, offers a wealth of theatrical virtues not often seen on stages around Los Angeles. Skillfully incorporating ensemble movement and music ...” -LA Reader |
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| "Daring! An enthusiastic spectacle embellished with the appropriately eerie mysticism of Peter Girard’s original score..Enya meets Roger Coreman." -Philip Brandes, LA Times |
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Code One
is Peter Girard and Cindy Lubar Bishop. Their debut CD fourteen
parts is available at CDBaby.com.
| The soundscapes that
comprise the 14 compositions herein could be soundtracks for nightmares or dreams. Fourteen Parts is first and foremost a product of the studio, using electronics, vocals, sampling, and clever production techniques. Little here bears much resemblence to western, eastern, or any other music for that matter. This is visionary sonic art. There are no hard edges or abrasive elements here, its just very unusual. Recommended for intrepid sonic explorers. File under “out-there”. Peter Thelen, Music Critic |
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| CODE ONE Fourteen Parts is an album that
falls apart from all categories and that is deemed - because of this - to be an unknown little treasure. Not that the music is radically new and beyond all description. Far from it. But it is not idiomatic or easy to categorize. Vital Weekly, Frans de Waard http://vital.staalplaat.com |



